In the days leading up to the Second Sino-Japanese War of 1937, head flight instructor Kato Tateo of the Imperial Japanese Army-Air Corps trains new crop of volunteers from the Amry's Infantry to become Japan's next generation of fighter pilots. Flying early biplane's, Kato will train both friend and future foe alike. But as war in China breaks out, Kato (played by Makoto Sato) will take his untested men flying antiquated planes into aerial combat against the Chinese Air Force who is now headed by Lt. Cho (played by Jun Fujimaki) who Kato had both earlier befriended and personally trained. While Kato's squadron achieves air superiority over China, it comes at a high price in men to which each loss carries a heavy burden that he alone must bear. As the war progresses into the Second World War, Kato must now battle an ever advancing array of deadlier newer enemies flying ever more modern fighter planes. In a time when "To Serve was to Die," Kato will rise through the ranks and defy the military logic of the day of an indifferent Army military brass to push for the development and production of the Peregrine Falcon in an effort to arm Japan's pilots with modern fighter planes that would give his men a fighting chance of survival in the deadly aerial combat.—By Louis E. Rosas
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抛夫弃子的母亲与孩子洋子之间维持着表面客套的相处,孩子想通过偷看母亲日记的方式去理解母亲离开自己这件事,她看见了母亲在日记中写到的自己在婚姻中的苦与累,和放弃婚姻后自己的轻松愉悦,孩子嘛,不明白为啥婚姻中的女人会这么不快乐,她只知道母亲在放弃婚姻放弃她后找到了快乐,她恨她的快乐,因为这快乐在洋子眼中是她抛弃自己得到的,洋子本就觉得自己是被父亲和他的“新家庭”排除在外的,这也是为何她不想让弟弟知道他们只有一半的血缘,因为她觉得弟弟只有作为新家庭中的不知情者才会不排斥她这个外
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能给个三星半左右吧,故事本身有原作打底其实毛病不算太大,主要是叙事方式和其中的一些细节有问题,首当其冲的就是这个被反复使用多次的公交车事故的画面,这一段虽然每次出现的镜头都不尽相同,但都是描写这场事故的,而且其中也穿插着一些相似的镜头,就有一种重复且不舒服的感觉,这种镜头一般出现两次左右把信息细节交代全就够了,其实不需要太多,把这两次和每一条故事线的重要节点结合好就ok,这也就涉及到了怎么给这些故事线收尾,在我看来,这种一条一条一个接一个的收尾方式显得重复及冗长,也套路化,
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电影该剧通过讲述主人公们的冒险故事,向观众传递了勇气、友谊和家庭的重要性。这是一部充满温暖和感动的电影。
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邓安东执导,演员阵容强大,包括陶慧、张晨光、乌兰托雅·朵等。该片讲述了一个小女孩在父亲离世、母亲精神疾病的情况下,靠自己的双手撑起一个家的故事。