Anoop (Dharmendra) is a struggling writer. One day he meets with wealthy and beautiful Seema (Hema Malini) and both fall in love. When Seema's brother Rajan Choudhury (Pran) finds out, he is angered and forbids Seema to see Anoop again. On the other hand Anoop's sister, Rekha (Aruna Irani), and Rajan's brother-in-law Mahesh (Mehmood) have also fallen in love with each other. This angers Rajan even more and he turns Mahesh out of his house. Rajan finds out that Anoop has authored a book called "Naya Zamana", and decides to publish it and sell it under his name. Anoop and Seema find out when the book hits the stalls and is a big hit. Rajan is unapologetic. Rajan then tries to evict the poor people living in small tenements with Anoop and his mother (Lalita Pawar), but Anoop and Seema intervene, and as a result Rajan orders the tenements to be burnt secretly by his henchman Sitaram (Jankidas). Anoop is blamed for the destruction and arrested by the police. Seema's dad, Sachin Choudhury (Ashok Kumar) forbids Seema to see Anoop anymore as well as stay away from the poor people's lives. Seema will now to chose between her lover and her father.

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在看了这个杀手不太冷中魏翔的出彩表现后，起初我对这部影片还是抱有一些期待的，但最后看完片子我就想像他自嘲时说的一样感慨：不喜欢，真的太浮夸了。浮夸二字可以诠释整个影片的基调：主演过分瞪大的双眼和荒唐的行为逻辑即使影片结束都让我短时间难以忘却，看这一支团队从最初夏洛特烦恼的捧腹大笑到如今得小丑式逼你发笑，难道这部片子面向的群体是小孩吗？实在是欣赏不来。其次，影片里有着许多不合理的人物行为逻辑，给人一种很强烈的敷衍感：男主角从嘲笑残疾人的混球到变成有关怀的团队领军者，这个

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人的生活不过衣食住行，但为了达到这些条件居然如此艰难，想想都有种荒诞的感觉。平民百姓起早贪黑兢兢业业地生活，最后却成全了资本家的挥霍无度，简直是人为自己创作的一出悲剧。张大民幽默正直有担当有骨气，既对得起自己也对得起别人，这种人是真正的好汉，很佩服他。现在多的是自私自利自怨自艾的人，我们需要向他学的太多太多。看完这部剧有了很多反思，世界上无论对不起谁也不能对不起爱你的亲人，尤其是父母。我们总认为父母永远是父母，可以无限向他们索取。但亲情是相互扶持，小时候我们可以依赖父

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这部影片根据虹影同名长篇小说改编，讲述了在年的重庆山城，窦小明、佳惠和钢哥三人之间的故事。窦小明因受伤入院，认识了护士佳惠，而佳惠却嫁给了家暴不断的钢哥。窦小明得知此事后，决定帮助他们，从而改变了三人之间的关系。

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看完了，确实如朋友所言，每个人的精神状态都很创人。查了一下资料，电影年立的项，在年的时候传过年上映。这就是全部的问题所在了。其实电影确实一如宣传所言尺度非常大，而且演员飙戏也很激烈。我为什么说时间是全部的问题呢？是因为如果在两三年前，凭这样的尺度和演员飙戏的感觉以及观众时下的观影需求来说，电影是肯定会爆的，热搜也不会太少，说不定会复刻曹保平导演《烈日灼心》的口碑。可是，电影上映的日子一拖再拖，拖到今年的快年底，观众的观影需要已经大不相同